Take Me to the Moon and Back I Know That You Think About Her
Romeo and JulietPlease see the bottom of the page for explanatory notes.Please click here for fifty-fifty more notes and paraphrases.
Next: Romeo and Juliet, Act two, Scene three __________ Explanatory Notes for Deed 2, Scene 2 __________ Prologue ane. He jests ... wound, Mercutio, who never felt the wound of love, may well jest at the scars which Cupid's arrows have left in my eye. That this is not a general, but a item, remark is, I retrieve, proved past the answering rhyme, as Staunton has noticed. And as neither the folios nor the quartos make any sectionalisation of scene, such segmentation, originally due to Rowe, seems clearly wrong. two. soft! he bids himself 'hush,' cautions himself to talk in a lower vocalization. 4. envious, jealous. 7. Be not her maid, no longer serve her, no longer keep a vow to alive single; as Diana's votaries pledged themselves to practice. 8. Her vestal ... green, the life of chastity to which she binds her priestess is one of sickly, jaundiced, hue. In sick and greenish there is probably, as Delius suggests, an allusion to the "greenish-sickness" of which Shakespeare ofttimes speaks, and which in iii. five. 157, below, Capulet applies as an epithet to Juliet in his anger at her refusal of Paris, "Out, yous light-green-sickness carrion! out, you baggage! You tallow-face," — an disquiet of languishing girls characterized by a pale complexion. The reading of the first quarto is stake for sick, and this is preferred past many editors. Collier would change ill into white, seeing in the line an allusion to the white and green livery formerly worn by the Court fools; but it seems unlikely that Shakespeare would utilize the give-and-take fools in this literal sense when referring to Juliet, while, equally Grant White points out, if such an allusion were intended, it would be obtained from the reading of the outset quarto, pale, without the violent change to white; vestal livery. Vesta was the Roman goddess of the hearth, corresponding with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. three. 4. 10, "A vestal livery will I accept me to, And never more than have joy." 12. what of that? but that matters piddling. thirteen. discourses, is eloquent in its mere look. 16. some business, some private affairs of their ain which would be hindered by their having to perform their nightly duty of lighting up the sky. 17. in their spheres. According to the Ptolemaic system of astronomy, round nearly the earth, which was the centre of the system, were ix hollow spheres, consisting of the 7 planets, the stock-still stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them being whirled round the earth in xx-four hours by the driving power, the Primum Mobile. 21. the airy region, the upper air; region, was originally a partition of the sky marked out by the Roman augurs. In afterwards times the atmosphere was divided into 3 regions, upper, centre, and lower. Cp. also Haml. ii. ii. 509. 24, 5. O, that ... cheek, cp. Tennyson, The Miller's Daughter, 169-186. 28. winged messenger, angel. 29. white-upturned, turned up in admiration so that the pupils are scarcely seen. 30. fall dorsum, stand back in awe, and as well in order to get a clearer view. 31. lazy-pacing, slowly drifting. Grant White compares Macb. i. seven. 21-5; lazy-pacing is Pope'southward theorize for lasie pacing, of the start quarto; the remaining quartos and the folios give lazie, or lazy, puffing. 34. pass up, disown, disclaim; cp. T. C. iv. five. 267, "Nosotros have had pelting wars, since yous refused The Grecians' cause." 37. speak at this, answer her without allowing her to become further, interrupt her at this point. 39. K art ... Montague. Staunton explains "That is, every bit she afterwards expresses it, you would withal retain all the perfections which ardorn you, were not called Montague"; and and then essentially Grant White, though Dyce calls such an caption "unintelligible." Others follow Malone in putting the comma after though, every bit used in the sense of however, with the explanation that Juliet is merely endeavouring to account for Romeo's being amiable and first-class though he is a Montague, to testify which she asserts that he merely bears the name, just has none of the qualities of that house. Various emendations have also been proposed, but Staunton's explanation seems to me quite satisfactory. 42. be another name, exist somebody else in name than Montague. Lettsom objects that Shakespeare could not have written "be another name"; but after the expression "What's Montague?", where "Montague" is used as though information technology were a thing, there seems no reason why nosotros should non have "be some other name." 46. owes, owns; as frequently in Elizabethan literature, the final n of the 1000. E. owen, to pcssess, beingness dropped. The mod sense of the word 'to exist in debt,' 'to be obliged,' comes from the sense of possessing another'due south belongings, but the word has no etymological connectedness with to 'ain' = to possess; it beingness from the A.S. agan, to have, while the latter is from the A.S. agnian, to appropriate, claim as i's own, from agn, contracted form of agen, ane's own (Skeat, Ety. Dict.). 47. doff, put off; exercise off, every bit don, practise on; dup, do up; dout, do out. 48. for thy name, in exchange for your proper name. 53. So stumblest on my counsel, come and so unexpectedly upon my hugger-mugger thouglits; cp. M. N. D. i. 1. 216, "Emptying our bosoms of their counsel sweet," i.e. confiding to each other our inmost thoughts. 53, 4. Past a name... am, if I could permit y'all know who I am without using a proper noun, I would gladly do so, for information technology is impossible for me to name myself without distressing y'all. 55. saint. Delius points out that this word recalls their first coming together when, as a pilgrim, Romeo had thus greeted Juliet. 58. drunk, unconsciously acknowledging the avidity with which she had listened to his words. 61. if either thee dislike, if either be unpleasant to your ears; dislike is really impersonal, as in Oth. 2. iii. 49, "I'll do't; merely it mislike's me." 64. And the place decease, and to venture here is to run a risk your life. 66. o'er-perch these walls, wing over these walls and settle here, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, then a bough or twig on which a bird settles. 67. stony limits, limits formed of rock, i.east. walls; stony, more normally used every bit = of the nature of. 69. are no let to me, are no hindrance to me, cannot bar my manner and proceed me out. 71. Alack, according to Skeat, either a corruption of 'ah! lord,' or, which seems more than likely, from ah! and One thousand. Due east. lak, loss, failure. 73. proof against, able to endure, hold out against; come across notation on i. 1. 216. 76. merely thou honey me ... here, except, unless, y'all love me, I am quite willing that they should find me hither and kill me; without your dear, life to me is not worth living. 78. Than decease ... dearest, than that my death should be delayed if I am to exist without your love; prorogued, the Lat. prorogare was to advise a further extension of office, lience to defer, though literally meaning merely to ask publicly, from pro-, publicly, and rogare, to ask. 81. counsel, advice. 83. vast shore. "Lat. vastus, empty, waste" (Walker). 84. I would gamble for, I would make my voyage in quest of, however great the danger. 88. Fain ... class, gladly would I, if it were possible, stand up on ceremony with yous, treat you lot with distant formality; Fain, properly an adjective. 89. but farewell compliment, "but abroad with formality and punctilio" (Staunton); I now cast such things to the winds. 93. laughs, good-humouredly disdains to punish them. Douce compares Marlowe's translation of Ovid'south Art of Love, i. 633, "For Jove himself sits in the azure skies, And laughs beneath at lover'due south perjuries," from which he thinks that Shakespeare borrowed. 94. pronounce it faithfully, assure me of your love without calculation an oath to confirm your words. 97. Then, provided that. 98. fond, heedlessly loving; addicted, originally fonned, the by participle of the verb fonnen, to human activity foolishly, from the substantive fon, a fool. 99. light, full of levity, wanton. 101. more cunning ... strange, more skill in affecting coyness. 104. passion, passionate confession; the word was formerly used of any strong emotion. 106. Which the dark ... discovered, which (love) has been revealed to y'all by the darkness of the night whose office should be to conceal; which y'all have discovered thank you to the darkness of the night. 110. circled, revolving; not, I think, 'round,' equally Schmidt explains. 111. as well, every bit. 113. gracious, attractive, finding favour in my optics; cp. T. A. i. 1. 429, "if always Tamora Were gracious in those princely eyes of thine." This is the reading of the get-go quarto, the other sometime copies giving glorious, which Grant White thinks more suitable to the context. 114.of my idolatry, that I worship. 117. I have ... to-night, I feel no joy in now ratifying with oaths a contract betwixt us. Like Romeo, i. four. 106-11, she has a presentiment of some evil befalling their plighted honey. 118. unadvised, imprudent, formed without sufficient consideration. 121, 2. This bud of dearest ... meet, this new love of ours, cherished in our hearts, may expand into full growth by the time we next run across, as beneath the summer'south warmth the bud expands into a beauteous flower. as that ... chest, "as to that center within my breast" (Delius). 126. satisfaction, Delius points out the double sense hither of payment and comfort. 129. And still ... again, and yet I wish I had non given it, in social club that I might now over again accept the joy of giving information technology. 131. frank, liberal, complimentary of mitt; cp. Lear, 3. 4. xx, "Your old kind father, whose frank heart gave all." 132. the affair I accept. sc. her own infinite love. 143. If that ... honourable, if your beloved is honourable in its intentions; for that, every bit a conjunctional braze, run across Abb. § 287. 145. procure to come, conform to have sent. 146. the rite, sc. of marriage. 152. By and by, in a minute, directly. 153. suit. Malone quotes from Brooke's poem, Romeus and Juliet, "and at present your Juliet you beseekes To stop your sute, and suffer her to live emong her likes." 154. So thrive my soul — may my soul prosper (according equally I mean well to you), the concluding words being cleaved off by Juliet's farewell. 156. A thousand ... light, in answer to Juliet's wish of expert-night he says, nay, not proficient night just bad night, night made a 1000 times the worse by the absence of you who are its but calorie-free. 158. toward ... looks, sc. as schoolboys go toward, etc. 159. Hist! Heed! 159, 60. O, for ... again! would that I had a voice that would bring back my gentle Romeo as surely as the falconer's voice brings ack the tassel-gentle! "The tassel or tiercel (for so it should be spelled) is the male of the gosshawk; and then chosen because information technology is a tierce or 3rd less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its zipper to human being" (Steevens). "Information technology appears," adds Malone, "that certain hawks were considered equally appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen by Juliet as an appellation for her dearest Romeo." 161. Bondage ... aloud, one fettered, constrained by fear of beingness overheard, like me, is as much unable to call aloud every bit one whose voice is stopped by hoarseness of the throat. 162. Else ... lies, otherwise by my loud cries I would rend the cave in which Echo dwells; Echo, an Oread who past Juno was inverse into a existence neither able to speak until somebody had spoken, nor to be silent when anybody had spoken. 163. And make ... mine, and, by compelling her to repeat my cries, make her hoarser than myself fifty-fifty. Dyce compares Comus, 208, "And airy tongues that syllable men's names On sands and shores and desert wildernesses." 166. argent-sweetness, in innuendo to the sweet tone of bells fabricated of silver. 167. attending, circumspect. 173. to have ... in that location, in order to keep y'all standing there. 175. to have ... forget, then that you may go along to forget. 176. Forgetting ... this, forgetting that I take any habitation but this, forgetting that this is not actually my home. 178. a wanton'southward bird, the pet bird of a mischievous daughter, a daughter that loves to tease her pets. 180. gyves, chains, fetters. 182. So loving-jealous ... liberty, so fond of it and yet so jealous of its getting its liberty. 186. shall say proficient night, shall continue proverb 'skilful night.' 188. and so sweet to rest, having so sweet a resting identify. 189. ghostly father, spiritual father; begetter, a championship given to catholic priests. 190. my dear hap, the practiced fortune that has befallen me; hap, fortune, chance, accident, from which we get to 'happen' and 'happy.' How to cite the explanatory notes: ______ Even more than... | Notes on Romeo and Juliet Juliet appears above at a window (stage management). Shakespeare did not include this stage direction and it is non in Q1 or the Commencement Folio. It was added in the 17th century and has remained ever since, although some editors choose to identify the direction right after Romeo'southward line "He jests at scars that never felt a wound" (1), while others insert it right before Romeo says "Information technology is my lady, O information technology is my dear" (x). More to Explore Romeo and Juliet: Complete Play with Explanatory Notes Themes and Motifs in Romeo and Juliet Phase History of Romeo and Juliet Romeo and Juliet: Examination Questions and Answers ill and green ] The phrase sick and green refers to the anaemic condition known every bit chlorosis, or green sickness. The goddess Diana (the moon personified) is sickly pale and envious of Juliet's beauty (6). Juliet, too, as a follower of Diana (i.e,. a virgin) is looking quite sickly pale herself. Every bit Helen King argues in her book The illness of virgins: green sickness, chlorosis and the problems of puberty, "...for an early modernistic reader, the disease label 'green sickness' - like 'the disease of virgins' - could contain within itself the cure: sexual experience" (35). Read on... Notes on Shakespeare... Richard Shakespeare, Shakespeare'southward paternal grandfather, was a farmer in the small village of Snitterfield, located four miles from Stratford. Records prove that Richard worked on several dissimilar farms which he leased from various landowners. Coincidentally, Richard leased land from Robert Arden, Shakespeare's maternal grandfather. Read on... ____ Shakespeare caused substantial wealth thanks to his acting and writing abilities, and his shares in London theatres. The going rate was £x per play at the plow of the sixteenth century. And so how much money did Shakespeare brand? Read on... Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of King Edward Three, was born on Apr 3, 1367. Henry usurped the throne from the ineffectual King Richard 2 in 1399, and thus became Rex Henry IV, the first of the iii kings of the Business firm of Lancaster. Read on... Known to the Elizabethans every bit ague, Malaria was a common malady spread by the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was e'er at hazard. King James I had it; and then too did Shakespeare's friend, Michael Drayton. Read on... Shakespeare was familiar with 7 foreign languages and often quoted them directly in his plays. His vocabulary was the largest of any writer, at over twenty-iv g words. 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